What have you learnt from your audience feedback?

Here is the analysis of my questionnaire. I recieved 20 completed questionnaires back from my participants, along with two that were partially completed, but I chose to analyse the fully completed ones so that I could make more sense of their responses.
Following the analysis of each question, I have included evidence of the changes I have made to my trailer as a result of the feedback.

1. Do you think the music is appropriate for the trailer?

As you can see, 18 people thought that the music I had selected for the trailer was innapropriate, while just 2 thought that it was appropriate. As this was the first draft to my trailer, I was struggling to find an 'exciting' piece of music that was still appropriate to use on the BBC. Therefore I selected a piece that was of a fast beat, but sounded Middle Eastern. I intend to change it as soon as I find an appropriate track. Comments from some of the participants included "it sounds too Indian" and "seems inappropriate for the genre'.

Here is a print screen of the new track I have used to replace the first track I used. It is called 'Thief'' and I believe that it is appropriate for my trailer because it is upbeat, and has a fast pace. This makes the trailer seem exciting, and gives the impression to the audience that there is a lot going on in my soap opera. However, it is not too fast or loud because I don't think that it would have been appropriate for the BBC, and it may have looked like it was more suitable to be advertised on Channel 4 for example, who use louder and more upbeat music in thier trailers. This music is much more appropriate because it is a simple beat that fits in well with the moving images, and adds a rhythm to the trailer as a whole.

2. Is the trailer the right length?

As you can see, 19 out of 20 participants thought that my trailer was of the right length for a conventional soap opera trailer. 1 person thought that the trailer was not of the right length, and wrote the comment 'it could be shorter - its 45 seconds and typical trailers are 30-40'. Although I understand that this is the case of most soap opera trailers, I have discovered ones that are much shorter or even longer (see 'Research of Soap Trailers'). For this reason, I realised that it all depends on the content of the trailer that depends on the length. I did want to stick quite close to the familiar convention however, and I personally believe that the extra 5 seconds does not make the trailer seem to long, but instead it provides information as to when it starts, what time and on what channel. Also, 19 participants thought that the length was appropriate.

Because most of my participants believed that the trailer was the right length, I have kept my final draft at the length of 43 seconds.

3. Does it work well with no dialogue?

For this question, 18 participants answered 'yes', while 2 answered 'no'. During the planning and research process of this task, I noticed that some trailers did have several lines of dialogue, whilst some had none at all. However, almost all of them have a voiceover at the end or even at the beginning to provide audio information about the soap. I therefore included a voiceover in my trailer. However, I personally chose not to use dialogue in my trailer because I wanted to include an element of mystery, which would entice audiences to want to watch the soap when it begins. Also, I noticed that the other trailers with dialogue in them were from soaps that had been running for a long time, and so the audiences would be familiar with the characters talking, and their storylines. Because my trailer is the advertising the beginning of my soap, I thought that dialogue would be too complicated for the audience, who are at this stage unfamiliar with the characters and their storylines. I did film each storyline with some dialogue, and then again without it though, so that if need be I could change my mind and make alterations.

As you can see here, I have a music track in my trailer, but there is no dialogue. However, most participants agreed that it worked well without dialogue, and it would have been complicated to add some in after I had deleted it, so I kept it the same. I did, however, add in a voiceover at the end of my trailer, as this is a common convention of many other soap opera trailers. This means that even if an audience member isn't paying attention to what is playing on screen, they will still be able to hear the important information of the soaps title, when it starts and what channel it is on. I watched a series of other soap opera trailers that were aired on BBC1, because thats the channel I intend for my soap to be aired on, and I noticed that the voiceovers were mainly a female speaker with a clear voice and a normal English accent. I decided to stay in the trend of BBC1 voiceovers and decided that actually, my media studies teacher had a very clear voice and a typical English accent and so I asked her to record a voiceover for me, stating the program's name, when it starts and the channel it airs on.



4. Is it recognisable as a conventional soap trailer?

I was very pleased with the results of this question. As you can see, all 20 of the participants believed that my soap trailer was recognisable as a conventional soap trailer. To me, these results show that I have done a sufficient amount of planning and research to make my soap trailer successful. Comments that people wrote included 'it looks really realistic!' and 'it all works together well.' I realise that there are a few small changes that I need to make, but the results of the overall questionnaire made me confident that I was close to finishing my trailer completely.

Although I was very pleased with the results of this question in the questionnaire, I decided to change the end title. This is because in my first draft it stated that my soap was 'Coming Soon'. To me, this seemed too general and that my soap needed a specific time and date for it to start so that audiences knew for definite when to watch it. I also made the font bigger so that it was clearer, and, due to technological convergence, I included a website that gives the audience an opportunity to watch 'Eaton' online in case they miss it.

5. Do you think we have used an appropriate amount of different characters?

Again, I was very pleased with the results of this question because everybody thought that we had used the right amount of characters. From looking at other trailers for soap operas such as 'Neighbours' 'Hollyoaks' and 'Coronation Street', I noticed that they tended to use at least 6 different characters. However, there was one 'Eastenders' trailer that featured just the characters of Peggy and Archie. Although, this was to advertise a storyline that focused predominantley on those two characters, rather than the launch of the soap itself. I also noticed that the launch trailers of some soaps featured all of the main characters. Interestingly thought, it was 'Eastenders' that was the odd one out. The launch trailer did not feature any of the chracters, but instead it showed a bus driving around London. However the trailer was almost 30 years old and I belive that in more modern times, trailers that actually feature the characters are more successful because they are simply more interesting. I think that 4 storylines and 10 characters (even minor ones) is just the right amount to conjure a curiosity from our audience, without confusing them.

This is an example of the most characters we feature in one shot. However because it could be quite difficult for the audiences to remember the roles of each character, we had the female on the left and the female on the right as just minor characters, and so they just stood behind the bully to emphasise the power she has over the victim. I also asked each character to wear a different colour top or coat, and to try and wear their hair different so that audiences will not be confused. We had the victim wear a bright yellow coat so that she stood out and was easily recognised.

6. Have we used enough different camera shots?

17 out of 20 participants believed that we had used a good range of camera shots. However, 3 participants believed that we had not used a good enough range of camera shots, and luckily 2 of those three had left comments. The first comment states 'it was good, but you could have used a long shot for the Eaton Oak'. The Eaton Oak is the main pub that is featured in my trailer and I have used a mid shot at the very beginning to establish this, as well as the location, as the soap is called 'Eaton'. We intially shot this frame as a long shot, but the Eaton Oak is on a busy road, and by the time we got far enough away with our video camera to make the shot a long shot, we were across the road and cars and road signs were blocking the shot. So we then decided to move the frame upwards slightly, and have some sky in the background, but we then noticed that the sign was not clear enough for the audience to read. It was then we agreed to do a mid shot that included the majority of the building itself, and that made the sign easy to read. The other comment read 'too many midshots'. However, from researching other soap opera trailers and soap operas themselves, such as 'Eastenders', 'Emmerdale', 'Coronation Street' and 'Hollyoaks' I have noticed that the main shots that are used are in fact mid shots. I thought that they were effective because they still showed detail, but were at the same time they often revealed setting as well as characters. It was for this reason that I decided to use mainly mid shots in my trailer. However, I have used some close-ups, over the shoulder shots and long shots so I personally believe that there is a good range of different shots in my soap trailer, and so do the majority of the participants of my questionnaire. 

This is an example of some of the different camera shots and angles we used. The top right is an example of one of the long shots I used, and in this case it follows the elderly lady as she carries the cup of poisoned tea to her husband. This shot causes suspense because the audience is unsure as to what she is going to do with the poisoned tea, and has to wait a few seconds to watch her walk down the coridoor. The frame in the top right is an example of one of the close-ups I used. This shot is for emphasis of the elderly lady's actions, which is putting two mystery pills into a cup of tea. The use of a close up also means that the audience can see clearly what the elderly lady is doing, which helps them to understand that particular storyline. The frame in the bottom left is an example of a mid-shot I used. This shot allows the character to be shown clearly, so that the audience can recognise her and her role, but it also shows some of the setting, and her actions. Even though her husband has left for work, she is clearly seen making two cups of tea. It is in the next shot that we realise that the second cup of tea is for her 'lover'. The frame at the bottom right is an example of a low-angle shot I used. I used this particular shot because I wanted to show the bottle of vodka hitting the floor when the bully pushed it into the victim's chest. I thought that the shot would emphasise the action, as well as look dramatic, which would hopefully entice audiences into watching my soap.

7. Do you think I should have used transitions between each storyline?

18 out of 20 participants believed that my trailer was effective without transactions to break up each storyline. I initially asked this question because I believed that my audience may experience difficulty in telling the difference between each character. However, I solved this problem by putting the storylines in a different sequential order, for example I knew that the audience would not be confused between the characters in the 'affair' storyline and the 'drug dealing' characters, so I placed those two storylines together. From studying previous soap trailers, I noticed that the editing mainly consisted of basic cuts, rather than complex transitions or effects. To follow the convention of realism within soap operas, I personally believe that transitions make the trailer look realistic, and often of another genre of television altogether. As you can see in my graph, the majority of my participants agree with me.

The frame on the left is the final frame in the 'poisoning' storyline, which then (in 0.3 of a second) as you can see on the timeline, cuts immediately to the first frame in the 'peer pressure' storyline. I think that the cuts are more effective because they are dramatic and to the point.

8. What is the most successful part of the trailer so far?

Most of my participants decided that their favourite storylines wer the 'poisoning' one and the 'affairs' storyline, and that thier favourite part was the realism of the trailer overall. Some comments included: 'I liked the part where the old lady poisoned her husband, it made me want to see what happens after' and 'the title at the end looked the same as the ones on the BBC'.

Frame number one is a shot from the 'poisoning' storyline, which due to the positive audience feedback, I have kept exactly the same. Frame 2 is an example of the modified end title, which as I mentioned before, I changed slightly to make it more specific as to when the soap begins. I did however, keep the same background, the BBC1 logo and the font, as they seemed to be quite close to the real BBC titles. Frame 3 is from Adobe Premier Pro, which is the software that I used to edit my trailer. It shows some of the things I added to my trailer to enhance the realism such as music, a BBC1 logo in the corner and a voiceover. Frame 4 is from the 'affairs' storyline, which I also kept the same due to the positive audience feedback.

9. What is the least successful?

Every single participant answered that the music was the least successful part of my trailer.

This is the track that I used for my music in my first draft of my soap opera trailer. It was in the 'Modern Rock' section of the website http://www.freeplaymusic.com/. I used this website because all of the tracks are copyright free, which means that I could use them for my trailer. However, there are thousands and thousands of tracks available, so I had difficulty selecting one that I thought was perfect. Eventually I found a track called 'Thief which is described as 'easy stepping beat with a big bass rumble accented by synth effects, with a funky simmer'. I always knew that I wanted quite a beaty track, and the original track I chose begins that way, but moves into what seems to be Indian music, which I didn't think was appropriate for my trailer. 'Thief' however, is just a simple beat that is at just the right pace for my trailer, and doesn't fit into a specific genre and therefore I believe that it will appeal to all members of my audience.

10. Is there anything in particular I can improve to make the trailer more successful?

Again, for this question the majority of participants answered that I should alter my music. As I mentioned previously, I have changed my music to a more suitable track which fits the genre of soap operas well.

Questionnaire

When I had completed the first draft of my soap opera trailer, I conducted a questionnaire and asked other media studients to answer the questions honestly. Here is a copy of the questions I asked:

1. Do you think the music is appropriate for the trailer?
2. Is the trailer the right length?
3. Does it work well without any dialogue?
4. Is it recognisable as a conventional soap trailer?
5. Do you think we have used an appropriate amount of different characters?
6. Have we used a good range of camera shots?
7. Do you think that trasitions could be included at any point of the trailer?
8. What is the most successful part of the trailer so far?
9. What is the least successful?
10. Is there anything in particular I can improve to make the trailer more effective?

The first 7 questions are simple yes/no questions as I wanted to be able to put the data into a graph so I could analyse it more easily. I would then be able to see any trends within the audience feedback, and thus be aware of what was successful, and what I needed to improve. The final 3 questions required the participants to write a sentence or two on their personal opinion.

I gave my questionnaire to a range of different people, including some media students. I did this so that non-media students could watch the trailer without being critical on technical things, and just give their personal opinion. I also wanted to ask media students because they would be able to be more technically critical, and give me advice on how to improve more specific aspects of my trailer.

The first draft of my soap trailer

This is the first draft of my soap opera trailer. We initially had around 4 minutes of footage, and so the first thing that I did was to cut out all of the footage that I felt was inappropriate, or was completely irrelevant altogether. From watching other soap opera trailers, I worked out that they were all between around 30 and 45 seconds, and so I made sure that my trailer was going to be around this length.
Another trend I noticed about the other soap opera trailers I watched was that they all jump straight into the action. There were hardly any introductions at the beginning of the trailers, they either showed a shot that set the scene, or introduced the characters and storylines immediately. I particularly liked this, as it grabs the audience's attention immediately, and is also an effective way of making the trailer short, snappy and informative - all of the things I wanted my trailer to be.
When shooting the trailer, we wanted to incorporate as many different camera shots and angles as possible, and worked with the idea that we would rather have too much footage than too little. This is how we ended up with 4 minutes of footage. We then decided to edit individually, so we could choose what we personally wanted and thought worked best, and then it would be interesting to compare our trailers.
I also noticed that in many of the trailers realism was an important aspect. That is, there were no special effects and hardly any transitions; the majority were simple yet effective. I have tried to mirror this in my first draft, and hope that it remains that way in my final draft. I conducted a questionnaire and asked for audience feedback and one of the questions was 'Do you think transitions could be used during this trailer?' and only one person out of the 20 or so people I asked said yes.
The aspect that I struggled the most with is finding appropriate music. Looking at other soap trailers, especially ones for BBC One, which we intend this trailer will be shown on, there seems to be very little dialogue, and music seems to be one of the main features of the trailer. As soap operas contain lots of drama and exciting and often unexpected storylines, the music is generally upbeat, fairly loud and often of the 'rock genre'. I particularly wanted to incorporate all of these conventions, but struggled to find sufficient music without copyright issues. The track that is on this trailer is being used as an example, so myself and others could get more of a feel as to what the final product would be like.
Now that I have completed my first draft, gained some audience feedback and seen other media student's ideas and suggestions, I will work on improving several aspects of my trailer. These are:

• Changing my music. One of the questions on my questionnaire was 'Do you think the music is appropriate for the trailer?' and almost everyone answered 'no'. I would like to find something upbeat but not too heavy, perhaps from the 'rock' genre.
• Adding in a voiceover. This is a common convention in most of the soap trailers I have looked at. The voiceover should state the name of the soap, the date and time it starts, its genre, and the channel it will be aired on so that the audience is informed with every detail they need to know.
• Change the title at the end. Instead of my trailer being a 'teaser trailer' which advertises that it is 'coming soon', I think that it would be more appropriate if I advertised a specific date and time for the soap to begin. Therefore I will change the BBC One title at the end, (which was blurry anyway) to state a time and date for 'Eaton' to start. The voiceover will then reflect what the title says.

These are the changes I plan to make, however I might discover something I wish to improve, add or eradicate along the way. I intend on keeping the length and order of the character storylines in the same order.

Research and planning: Reasearch of the BBC1 logo

From watching soap opera trailers for Eastenders, which is aired on the BBC1, I noticed that the BBC1 logo is often used in the bottom right or left hand corner throughout the trailer, and then an intertitle is used at the end with the BBC1 logo displayed again along with information as to what time and date the soap will air. As I intend for my soap opera to be aired on the BBC1, I wanted to follow on with the trend of advertising the BBC's 'brand', and thought that it would be useful to use thier logo in my own trailer. As well as making my trailer look more professional, it will also be very clear to the audience what channel my soap opera will be aired on, and so this will hopefully generate a larger audience.

I then looked at possible BBC1 logos to use in the bottom corner of my trailer:

I liked this one because it is the most recent one that BBC1 use. It is bright and colourful which means that it will be eye-catching for my audience. It also displays the channel's name very clearly and so that audience will know what channel to watch my soap on.

This one is very similar to the previous one, but I prefer it because it is clearer because it contains less of the red background, which makes the white text more obvious. This is better because my audience are more likely to be able to read it clearly, and therefore know for definite what channel my soap opera is on.

I also found this one. However, I chose not to use it because it is the logo for the BBC in general, not just BBC1. This means that it applies to all of the BBC channels, websites and radio shows. I thought that if I used this logo, it would not be clear to my audience what channel to watch my soap opera on.

Next, I looked at what I could use for my intertitle that would display the start date, time, title and website for my soap opera, Eaton. I immediately found this one:

I know that this was roughly what I wanted to use, however I thought that the 'BBC One' was too large, meaning that my audience's attention would be focused on that, rather than the information about my soap opera.

I eventually chose this one. It is similar to the previous one, however the 'BBC One' is much smaller which means that I have a lot more space to add in the start date, time, title and website. This means that my audience will be able to see clearly all of the information because it will be evenly spead out, and thus easy to read.

Production Schedule

Here is a copy of the production schedule that myself and my group devised. We did this so that we all knew where we were going to be up to, how much time we had left, where we needed to be and when, what to remember and just to be generally as organised as possible. I also gave a copy to each of my actors so that they were organised as well and didn't let us down.

Date/Time	Place	People	Equipment	Props	Notes
8th December 4:00pm-6:00pm	Eaton Socon: Alley/garages located around Eaton Socon Eynesbury	Emerson White, and Rhys Irons. Camera Operator, Director, sound technician  Paige Isaacs, Amyrose Prout and Rhys Irons. Steven Isaacs	Digital video camera, boom mike, tripod and still camera.	Icing sugar inside a clear bag to represent drugs. Kettle, Cup	All the characters need to wear appropriate costumes, eg. Stereotypical characters. (Emerson and Rhys dark clothing, hooded jackets.
9th December 12:30pm- 11:30pm	Grandparent’s home in Eaton Socon	Maureen Isaacs, Roy Isaacs . Camera Operator, Director, sound technician  Paige Isaacs, Amyrose Prout and Rhys Irons.	Digital video camera, boom mike, tripod and still camera.	Kitchen, Kettle, making a cup of tea, pain killers (to represent a sedative)
15th December 3:30pm-5:30pm	Eaton Socon: Queen’s Garden Park Eaton Oak Pub- Eaton Socon	Actors- Christy Isaacs, Maureen Isaacs, Roy Isaacs, Rob Isaacs, Steve Isaacs Camera Operator, Director, sound technician  Paige Isaacs, Amyrose Prout, Rhys Irons and Ellie Fennor	Digital video camera, boom mike, tripod and still camera.	Glass bottle (to look like alcohol), dust pan and brush to sweep up broken glass. Glass bottles		Teenage girls tracksuit bottoms or jeans, ugg boots, trainers, hoodies and jumpers. Torches will be needed to create suitable lighting if it gets too dark. In the pub the actors must wear stereotypical clothing.

Script for soap opera trailer

Here is a copy of the script my group and I devised for our short soap opera trailer. This is just a rough draft, and may change slightly if we decide something else works better when it comes to the actual production. We decided not to have any dialogue as we thought that because it is a new soap opera, the audience would not know of any storylines and so we thought the focus should be on the footage and the music. However, we have included a small amount of dialogue if we should change our minds.

Affair scene-

Paige’s dad’s house-

Mid shot of a woman saying goodbye to her husband, see him in the back ground walking off and then she shuts the door.

Close up of her locking the door.

Long shot of women walking into the kitchen

Close up of her making tea

Long shot of a man knocking at the door

Mid shot of the woman looking up and turning her head

Long/mid shot of women walking and opening the door, then the man and women hug and kiss.

Drug scene-

Eaton Socon- Alley by Balfour

Mid shot of the first teenager standing in an alley, looking around suspiciously

Long shot of the second teenager walking

Mid shot of them meeting

Close up of the exchange of drugs and money

Poisoning scene- Paige’s Grandparents house

Close up of elderly women making a cup of tea, and adding some pills to it.

Long shot of women walking out of the kitchen

Mid shot of an elderly man sitting at a table when the women bring in the cup of tea

Mid shot of the elderly man drinking the tea

Underage drinking and peer pressure scene- Balfour park

Close up, shot reverse shot of three teenage girls standing
Emma- ‘go on have some’

Long shot of Emma pushing the bottle of alcohol into Meg- Megs facial expressions = scared

Close up of the bottle of alcohol falling to the ground

Close up/mid shot of the bottle rolling across the ground

Planning and research: Storyboards for my soap trailer

Once I had decided on things such as characters and settings, I set about creating a storyboard. This was so that I could get a more detailed idea of what I was definitely going to include in my trailer, and in what order. It also allowed me to decide what types of camera shots and angles that I wanted to use, what music and dialogue I wanted to include and where, and how long each frame should last.

This is the first page of the storyboard. It shows the group of characters sitting in the pub, just sitting down and having a good time. I thought of this idea because the location of a pub is a conventional setting of most soap operas. (For example, 'The Queen Vic in 'Eastenders') This is because it is a normal setting that normal people would go to, and it allows other characters to meet eachother and storylines develop. The storyboard then moves onto the 'peer pressure' storyline, which is set in a park. I wanted to include some dialogue in this storyline so I've written that the bully says 'Oi! Have some!' when trying to get the vitcim to drink the alcohol. I've also decided to have a music track playing throughout the trailer because this is a common convention of soap opera trailers.

This is storyboard 2, which carries on from storyboard 1 with the low-angle shot of the alcohol bottle hitting the floor. The next 4 frames are from the 'affairs' storyline. I have used an over the shoulder shot, a mid shot, a close up and a tracking shot to show the storyline. The over the shoulder shot is so that the audience can see what the female character sees, and so that they can see the male's face clearly. The close up shows the female locking the door, which is important because she is ensuring that her husband can't get back in. The mid shot is of the female so that you can see her character clearly, and then I want a tracking shot to follow her down the coridoor away from the front door, to greet her lover at the back door. I have included the dialogue 'Bye!' which is what the female says to her husband. Again, I want to have music playing throughout this sequence.

This is the 3rd part of my storyboard. The first two frames continue on from storyboard 2 and show a midshot of the 'other man' coming through the back door, and then a slight zoom of the other man and the female embracing. It then cuts to the 'poisoning' storyline. I have used a close up to show the elderly lady putting tablets into a cup of tea. The close up will emphasise this and make it clear to the audience. I then use a long shot of the elderly lady walking towards the camera carrying the cup of tea to her husband. This will cause suspense because the shot lasts 4 seconds, and the audience will wonder what she's going to do with the poisoned tea. It then cuts to a mid shot of an elderly man sitting at a table, and on the right hand side the elderly female comes in and places the tea in front of him. The use of a midshot is clear enough for the audience to see what is happening, and also allows me to have both the male and the female in the shot at the same time. There will be no dialogue in this sequence, simply because the elderly lady is secretly poisoning her husband, and so I think that by having no dialogue it will make it more obvious that she is doing wrong and her husband doesn't know about it. However, there will be music played throughout.

This is the fourth part of the storyboard. This is just the last shot of the poisoning storyline. It is a midshot of the elderly male drinking the poisoned tea. The use of the midshot allows the audience to see clearly what he is doing, but the shot only lasts 3 seconds so the suspense will make the audience want to watch the soap to find out what happens. Like the rest of the storyline, there will be no dialogue but there will be music played throughout, because this is a common convention of soap opera trailers.